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This guy is just an evil bastard who needs to be put down, and the majority of the antagonists, even the more interesting ones, are more or less the same.Īssassin’s Creed is a series that has always been on the verge of collapsing thanks to its exhausting (and impressive!) juggling act: it wants to give players historical accuracy and fantasy, it wants to give them agency, it wants them to be tourists, it wants them to be badass assassins, it wants to be funny, it wants to be tragic, it wants it wants it wants it wants everything.
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There’s no backstory there that tries to humanize him like The Witcher 3 does with The Bloody Baron or even Assassin’s Creed 3’s Haytham Kenway. Case in point: one of the first assassination targets is a factory owner who not only employs children as workers but abuses them and docks from their wages when they’re injured. The Templars, though they’ve almost always been positioned as the antagonists in the story, are just goofy evil in Syndicate, real mustache-twirling dastards who want power no matter the cost. And since its inception, it’s only gotten gleefully dumber and has forsaken any claim to moral complexity in favor of cartoonish absolutes. It started off loud and mostly dumb with moral shades of grey thrown in for good measure. The real Assassin’s Creed that exists as a tangible thing we can play is a blockbuster action series with a convoluted story about two factions of killers vying for power over the centuries, with the player filling the role of several characters from both factions during different time periods. I was young and dumb(er) and optimistic about nearly everything under the sun and didn’t have a great gauge of the realities of videogame development. It’d be a nuanced look at history, into the lives of others, bringing untold and compelling stories to a huge audience.
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It was a rough game, but I was sure within in a few years they’d patch out the kinks and maybe do something truly special with it. The concept of playing out periods of history as individuals living in those times was incredibly appealing to me, and Altair’s weighty movements and his physical relationship to the environment felt innovative and exciting. I am disappointed to the point that it actually smarts a little bit, like when a talented buddy isn’t anywhere near reaching their potential because they’ve just stopped giving a damn.ĭuring my freshman year of college, a time in which I had sworn off most games until I finished my degree, the first Assassin’s Creed was the only game I’d bother my neighbors with the Xbox 360 to play. And not in the way I get disappointed with most games that are broken or bad. I have had a ridiculous amount of fun ziplining across the cityscape and making fun of my protagonist’s stupid top hat as he kicks a dude in front of an oncoming carriage. To say it plainly: I have devoured Assassin’s Creed Syndicate, playing through the entire game and doing nearly every available activity in three sittings. I’ve been turning that paradox over in my mind for the last few days as I’ve leapt from chimney to chimney and thrown knives into the spines of my foes. Assassin’s Creed is one of the most disappointing contemporary series of videogames Assassin’s Creed is also great entertainment.